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'In the zone' with violinist Alex Zhou
Alex Zhou, violin

Alex Zhou, violin

Teen soloist to play Mendelssohn concerto at Jan. 17 concert

Violinist Alex Zhou can’t wait to be “in the zone” while playing the Mendelssohn Violin Concerto in E Minor with Symphony Parnassus at the January 17 concert. 

He likes the Mendelssohn concerto for its “simplicity and beauty,” and is thrilled to perform it again—his third outing with one of the world’s most popular showpieces for violin and orchestra. He has been soloing with orchestras for the past five years, and loves the feeling of being swept away by the music, or “in the zone,” as he says, even if it is occasionally nerve-wracking.

“Every time I play with an orchestra, I get really nervous,” he said, “but after it’s over, I always like what just happened and think ‘when can I do this again?’”

Alex, 14, is from San Jose and has won many first-place prizes, including the Mondavi Center Young Artists Competition, and the Andrea Postacchini International Violin Competition in Italy, both in 2012. His performance with Symphony Parnassus is a result of his winning the 2015 Parnassus-San Francisco Conservatory of Music Competition. 

Alex started piano lessons at age 5, and began playing the violin a year later after seeing a home video of his older sister Kathy, now 25, performing in her elementary school orchestra. Intrigued, he found her old violin and tried to play it. “I just really wanted to learn how to play,” he said.

He was instantly hooked and began taking violin lessons, too.

Neither of his parents are musicians; his father, James Zhou (rhymes with vow), is a chemist, and his mom, June Hu, is an accountant. They didn’t, at first, realize their son was a prodigy. “They thought I was just ‘sawing away,’ on the violin,” Alex said, until his teacher told them of his special gift.

Alex is still surprised and humbled by the attention his playing has brought him. “I guess I’m a normal person,” he says, “but I forget that I have this talent. It’s really weird.” When not practicing his violin—three hours a day when his school schedule allows—he likes to read, play badminton and take photographs.

He is involved in the Pre-College program at the San Francisco Conservatory of Music (where he studies with violin teacher Zhao Wei), and has also studied with acclaimed violinist Itzhak Perlman for two summers at the Perlman Music Program in New York. Alex said that working with Perlman was a life-changing experience.

“He’s really down to earth and doesn’t look down on you if you’re not as good as him. He tries to encourage you,” Alex said. “When you get treated so well, it changes you, and you want to be that kind of person…to work hard to be a better musician and also a better person.” 

Q&A with Hope Briggs, Nov. 22nd Concert Soprano Soloist
Hope Brigss, Soprano

Hope Brigss, Soprano

Soprano Hope Briggs, a Bay Area favorite, joins Symphony Parnassus at Sunday’s (Nov. 22) concert to sing Samuel Barber’s heartfelt piece, Knoxville: Summer 1915. We wanted to learn a bit more about Hope, and chatted with her in this Q&A.

 

Hometown: Jersey City, N.J.

Home: My family relocated to San Francisco when I was 5. So I guess you can say that I really am a San Franciscan. 

When did you realize you wanted to be an opera singer? 

I was studying voice as a music major at CSU Fullerton. I was actually interested in musical theater, contemporary Christian music or jazz, but the emphasis of the program was classical. To my amazement, after my first semester, I was told by the voice faculty that I “had the goods for a professional career in opera," and the rest is history!

Favorite opera role and why? 

I feel a special connection with the character Aida, and my voice just seems to know where to go naturally when I am singing the role. 

What makes Knoxville a special piece for you?

Like Aida, I feel a special connection with Knoxville. I love the text, and how atmospheric it is. The orchestration, paired with the vocal line, helps to transport not only the singer, but it is my hope that the audience is also transported back a time when life was more simple. There is such humanity in the piece. It truly is one of the most beautiful works I have ever heard, let alone performed. 

Meet our new Concertmaster
Kathleen Comalli Dillon, Concertmaster

Kathleen Comalli Dillon, Concertmaster

Name: Kathleen Comalli Dillon

Instrument: Violin

Hometown: Santa Rosa, CA

Where you live now: Petaluma, CA

Day job: Formerly, diagnostic medical sonographer; now medical editor and patient educator from home

How are you enjoying your role as the concertmaster for Symphony Parnassus?

Playing concertmaster for SyPar is so far one of the most enjoyable and exciting jobs I've ever had. The musicians are outrageously dedicated, making time to rehearse difficult repertoire in addition to their demanding day jobs, and Stephen Paulson is all about phrasing and bringing a singing quality to the sound.

Kathleen Comalli Dillon

Kathleen Comalli Dillon

What is fun / challenging about the music on this concert program? 

This program has one of the most famous and challenging overtures in the repertoire, Rossini's “William Tell.” The strings are required to play ricochet, a type of bowing that involves absolute obedience to the laws of physics! The Barber speaks to me personally of my growing up as an only child with aunts and uncles, the sounds of our town, and the nostalgia of being loved. And the Bartok “Concerto for Orchestra” is like touring a great and mighty palace of ideas.

Do you have a favorite composer or composers? Why? 

I love so many; but I'd have to say Mozart, because every one of his works is not only perfect but ingenious and brilliant; and Verdi, because he brought so many plays and dramas to life with his brilliant and huge variety of operas. Also both composers are difficult and fun to play.

What is a memorable moment from your years of playing? 

I have a moment repeated again and again since I became a professional in the SF Ballet Orchestra when I was 19: the moment when the house lights go down and the line between our daily lives and the magic of music begins. This is more apparent in a pit orchestra, but onstage when I take the A from our oboist and shake the conductor's hand, those of us onstage and every person in the audience are committing to a journey together.  We'll be different when we return.  

Any hobbies of note? 

The NY Times Crossword Puzzle, Monday thru Wednesday; speaking French and Italian; meditation; CATS. Enough said!

Symphony Parnassus Hires Marketing Manager
Maureen Bogues,           Marketing Manager

Maureen Bogues,           Marketing Manager

In September, Symphony Parnassus welcomed Maureen Bogues to our staff as marketing manager. “I am thrilled to help tell the world about this amazing orchestra,” said Maureen, a self-professed classical-music obsessive (Beethoven especially), who studied piano and viola as a kid growing up in Nebraska. A writer who enjoys public speaking, choir singing and playwriting as hobbies, Maureen has worn many hats in her work life, including arts journalist, copy editor and nonprofit marketer.      

News, InterviewMichael Bealestaff